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KATALH3H (Beats Deluxe)

by Stereo Mike

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1.
Left Right 02:25
2.
1960s 2 04:32
3.
It Meters 02:17
4.
King's Funk 02:40
5.
6.
Take 3 04:30
7.
Rebluezin 03:38
8.
Call 04:56
9.
Covert 02:56
10.
Rijeka 04:29
11.
Kalimbap 05:12
12.
13.
Cycles 03:44
14.
Boom Bag 04:30
15.
City 04:20
16.
Kaishaku 04:04
17.
Skinwalkers 04:47
18.
Tense Minor 03:36
19.
Touch 02:57
20.
New Orleans 05:13
21.
Americanotha 04:11
22.
Toro 02:50
23.
Altcore 04:37
24.
25.
26.
1 By 2 02:48
27.
Padded 02:45
28.
29.
Keim Intro 03:52
30.
Wishbone 04:50
31.
Outta Sight 03:18
32.
Until 03:16
33.
To Rhodes 03:48
34.
Whatever 03:12
35.
Psychodelic 04:50
36.
Boxing 04:48
37.
Keim Outro 03:04
38.
Genitive 03:02
39.
40.
Become 03:09
41.
Train Brain 05:43
42.
Covert Three 02:40
43.
Alderoots 02:31
44.
Mo' Town 04:45
45.
Reggae Rock 03:59
46.
Studio A 03:41
47.
Nu Drub 04:44
48.
Dragga Five 03:50
49.
Old Steppers 04:33
50.
Steppers Dub 04:23
51.
52.
53.
Gimension 03:02
54.
Contacts 05:18
55.
1998 04:05
56.
Billinspired 03:12
57.
Balkan Blues 04:07
58.
Mediterror 05:11
59.
60.
61.
Brain Train 03:39
62.
63.
Glitchando 02:42
64.
Arundel 06:34
65.
Arun Dva 05:46
66.
Spin Eet 04:56
67.
Respin 04:06
68.
Flipped 03:56
69.
Aldenham 03:04

about

KATALH3H (Beats Deluxe) is the extended and largely instrumental version of Stereo Mike’s long-awaited fourth album, six years in the making. Featuring 69 original tracks and spanning over four hours of music, it represents the final instalment of his album trilogy – following XLi3h and ANELI3H – in the form of an epic, dark and densely layered “beatscape”. There is a reason behind the madness. Soon after ANELI3H, Stereo Mike dropped out of his major-label deal to pursue beat-making on an uncompromising scale, independently recording – over a number of years and locations – all the source samples that power KATALH3H’s beat-based soundscape. Blues and punk jams, manipulated voices, folk instruments, distorted guitars, soulful keyboards, industrial textures and cathedral organs all get glitched, processed, chopped and juxtaposed over a hypnotic and, in equal measure, brooding boom-bap foundation.

The album doubles as the musical body of work Stereo Mike crafted in parallel to writing his PhD-borne book, 'Reimagining Sample-based Hip Hop: Making Records within Records'. The two go hand-in-hand. The book is a testimony of the artist’s conceptual pursuit of the ‘phonographic’ qualities in source material that drive Hip Hop’s sample-based aesthetic. The album is the sonic crystallisation of years of experiments in vintage recording techniques, learning and playing more than a dozen instruments, collaborating with over 20 musicians, and tracking sources everywhere from home studios, to classical halls and large cathedrals. The rich tapestry of layers created, however, serve a classic hip-hop recipe: Becoming a palette of “mini records” on the pads of his sampling drum machines, they get remobilised as loops or percussive stutters, mixing operatic chanting with relentless 808s, salsa horns with Augustus Pablo-inspired melodica, noisy riffs with world instrumentation, and jazzy keyboards with otherworldly vocal textures. Tying it all together, the powerful underlying beats: Boom Bap in their essence, but owing equally to Trip Hop, lo-fi Electronica and industrial angst.

credits

released August 2, 2023

Go to www.stereo-mike.com/credits/ for full album credits!

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about

Stereo Mike London, UK

Stereo Mike is an award-winning rap artist (1st MTV Best Greek Act winner), who also holds a doctorate in hip-hop musicology. He has been nominated for multiple VMAs and an MTV Europe Music Award. Mike’s self-produced album, Xli3h, has been included in the 30 Best Greek hip-hop albums of all time and he is the first Greek artist to ever perform at South By Southwest festival. ... more

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